Tracey Paleo

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Tracey Paleo is Associate Editor at FootLights Magazine. She's also the Founder and Chief Editor of the arts and culture site, Gia On The Move, where she often reviews live performance events.

Dramatists Guild President on Writer’s Rights

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Dramatists Guild of America President, Doug Wright, has officially weighed in on the controversy surrounding playwright Lloyd Suh’s decision to prevent Clarion University from producing his play, Jesus in India, over casting issues: November 18, 2015 Recently, issues of casting and race have arisen in our national conversation about theater. While the Dramatists Guild applauds these necessary, rigorous and heartfelt conversations, it seems to us ...

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Los Angeles County Supervisors Seek to Formally Improve Diversity in the Arts

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SUBSTITUTE MOTION BY SUPERVISORS HILDA L. SOLIS AND MARK RIDLEY-THOMAS NOVEMBER 10, 2015 Improving Leadership, Work Force, Programming and Audience Diversity in Los Angeles County Cultural Institutions As the County of Los Angeles (County) is recognized around the world as a leader in the performing and visual arts, its Arts Commission should be at the forefront of encouraging a constructive County-wide conversation about ways to ...

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Celebrate #LoveTheatreDay 2015 on Wednesday November 18!

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The Guardian:  Theatre needs our love!  On Wednesday 18 November, theatres, amateur groups, arts companies and audiences from across the UK and beyond will take part in the second #LoveTheatreDay on Twitter. The 24-hour Twitter event is open to all, from the people behind the scenes who make the magic happen, to the audiences who put bums on seats every week. Here’s all you need to ...

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Award Winning 99 Seat Show now en route to White House

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Broadway World: It’s been an extraordinary journey for Deaf West Theatre’s production of Spring Awakening.  First produced in a 99 seat theater, it was then remounted in the larger Wallis Annenberg Center for Performing Arts in Beverly Hills.  From there, the production next moved to the Brooks Atkinson Theater on Broadway where it became a New York Times’ Critic’s Pick.  Along the way, both  Los ...

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Simulcast of Branagh’s Production of The Winter’s Tale on Thanksgiving

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Kenneth Branagh’s Theater Company is simulcasting their London production of The Winter’s Tale  on Thanksgiving, November 26.  The play stars Branagh and Judi Dench.  Movie theater venues and tickets are available on the company’s website.  Upcoming simulcast shows include The Entertainer  and Romeo and Juliet.

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Television: Theater’s New Friend?

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American Theatre:  “I was less interested in just putting theatre on TV, but I am very interested in not-for-profit, small regional theaters, and I also saw that they were really struggling to survive,” explains Mary Salter. “We’re trying to develop an audience for people to go into theaters and be in a place with real human beings in real time.”

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2015 Ovation Awards: Nominations & Winners

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The 2015 Ovation Awards were held on Monday, November 9, 2015 in the Ahmanson Theatre.  The winners in each category are italicized and in red.  The evening’s hosts were Vanessa and French Stewart. Best Season LA MIRADA THEATRE FOR THE PERFORMING ARTS BILLY ELLIOT THE MUSICAL CARRIE THE MUSICAL GOOD PEOPLE JANE AUSTEN’S PRIDE AND PREJUDICE, A MUSICAL MARY POPPINS LOS ANGELES LGBT CENTER D‘LO: ...

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New Plays Explore Modern Gay Life

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The New York Times:  “As a closeted teenager and then as an out adult, [Mark] Gerrard had defined himself by his difference. “I sort of come from the generation where my gayness, at least to me, was the most interesting thing about me,” he said. Suddenly it didn’t seem so interesting. “Who am I now if I’m not an outsider, if I’m not special any ...

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The 180-Degree Decision to Stage Shakespeare With Only Women

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Playbill: “[Director Phyllida] Lloyd was inspired to direct an all-female production in reaction to the fact that for every job available to a woman in the theatre, there were two available for men. While the statistics were applicable across the industry, she focused on the actors, saying, “I was fed up with the young people – teenagers – being subjected again and again to nights ...

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Camus: Why I Work in Theater

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Howlround:  “Camus died in a car accident in January 1960, eleven months before Theatre Arts published his essay Why I Work in the Theater… The essay reads much like his philosophical treatises – in turns amusing and thoughtful, and occasionally narcissistic. Throughout it he describes the qualities of theatermaking that continuously drew him to the theater despite having greater successes as an essayist and novelist.”

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